“True Night”
Thursday, November 29th, 2007
Last night, I was watching Criminal Minds with my fiance, who can be at times the most insensitive person alive. But he surprises me on occasion. After the show, he said that something about the show is different. He said maybe it was just this episode but the mood was entirely different. So I tried to pump him for information, but that’s really all he said, other than that it was more action-based, where the others were more pensive. There is usually a race to save another victim, and this didn’t happen in “True Night.” There was also not a lot of profiling going on, which I didn’t really notice until he said something about it being different. This was an episode that focused on the killer instead of the BAU members. As the episode progressed, you could kind of profile him yourself. John’s (Frankie Muniz)flashbacks let the viewer understand what was happening. He kept calling his girlfriend’s phone and getting her message that she was out living her life. This was emphasized so much that of course she was dead. My fiance was right: the tone was very different. It almost made you feel crazy as John relived the attack on himself and his girlfriend but didn’t really seem to realize that it actually happened. And he had no idea that he was killing people (all gang members, who were responsible for the attack). He drew the crime scenes as pages of a graphic novel.
John’s agent talks to the FBI and tells them about the behavior he’s noticed in John - the erratic behavior, calling his girlfriend’s cell, the change in his work. When John’s led into the police station, he looks confused, and you can almost hope he didn’t do it.
When he’s being interrogated by Hotch, Rossi, and Prentiss, they have to convince him that he’d been attacked. A huge scar lays across his abdomen. It’s like telling him his girlfriend is dead all over again, and he finally remembers.
At the end of the episode, he is in a hospital/institution, and he’s surrounded by drawings of his girlfriend. Still calling her cell phone to listen to her voice.
On the plane home, Prentiss wonders if anyone is capable of this. John went from a writer and artist to a murderer in six months. If he could do that, anyone could.
I was kind of surprised that cute little Malcolm in the Middle could be a convincing serial killer. He was really good. He looked the part, but still managed to have an innocence about him.
I really did like this episode. It was different and more unsub-focused. The profilers played a very small role in “True Night,” which I wouldn’t really enjoy watching week after week, but it was a good change.
The more I think about it, the more that this episode is one of the ones I like best. It’s not often that shows can make you feel a certain way, but you definately feel John’s emotions and feel sorry for him at the end. Even my aforementioned insensitive fiance felt bad for him.
What did you think of the episode? Good, bad, ugly?
If your favorite show has run out of new episodes, it’s a good time to check out what’s new on DVD at TV on DVD. - I am still waiting anxiously for the second half of the last season of The Sopranos to come from Netflix.






There’s a lot of back story that played into the events also. Brought up numerous times was Ruby Ridge and the surprise that Montana authorities actually asked for the FBI’s help. I thought it was interesting how the show brought up actual events, and especially events in which the FBI is shown in a poor light. It comes out that Rossi was at Ruby Ridge -and doesn’t want to talk about it.



Hotch and Prentiss go to talk to the foster mother who raised these two killers. As she talks with them, a young boy comes into the kitchen. He finds the refridgerator locked and asks for some milk. She will not give it to him - she wears the key around her neck.
“Children of the Dark” did not focus much on the characters’ lives - at one point Emily tells Hotch that she will take the teenager home with her. Hotch tells her he needs her to be objective, and she tells him that she needs to be human. On the plane home, JJ tells Emily that she would be a good mother. At the same time, Hotch is on the phone, asking someone to wake his son up so he can hear his voice. I’m assuming this is Haley, but they never said a word about her in this episode, so I don’t know what’s going on with that situation.
Last night, “Scared to Death” aired on CBS. This was Criminal Minds first Mandy-free episode, though his character was mentioned several times. When the show opens, Spencer is sitting at his desk rereading his letter. They quickly move on to other matters - a serial killer in Portland, Oregon. The team travels there to investigate and eventually figure out that the deaths had to do with phobias. From there, they need to figure out who is responsible. Through a lucky spotting of a flier in a laundromat, they are led to Dr. Howard (aka Dr. Goodman), in time to save his latest victim from being buried alive.
What was interesting, though, was their response to Gideon leaving. Spencer is clearly upset. He talks to Emily at one point and says that Gideon confronted the most violent, dangerous criminals in the world. If he had enough courage to do that, why did he just leave a letter? Emily tells him to read it again and figure out why the letter was written to him. Out of all the people he left behind, why did he only bother to explain to Spencer?
If you want some good Criminal Minds spoilers, check out
Hotch is gone, Prentiss is gone, Gideon is gone. The team goes to Milwaukee. Hotch comes back. Prentiss comes back. They arrest the serial killer using his son as bait. Gideon’s still gone. And Haley’s gone. Just a quick recap for “In Name and Blood.” This episode wrapped up some loose ends from last week and also gave us some new loose ends. Hotch and Prentiss are back with the team. Section Chief Erin Strauss travels with the team to Milwaukee to work the case. While there, she actually sees what the BAU does. She can’t do it. She insults the local detective, takes control when she shouldn’t, and then finally, breaks down at a crime scene when she steps on a victim’s hair. Having seen the reality of their job, she relents. Hotch is back but cannot move up in the chain of command. This is a big deal as he wanted to become FBI director.
Spencer worries about Gideon and finally goes to check on him at his cabin hide-away. Inside, he finds empty shelves and a gun, badge, and letter on Gideon’s desk. He tries to explain to Spencer why he’s leaving - not committing suicide as was implied last week. At the end, we see him traveling alone, trying to find hope again.
So that’s how they’re going to write Gideon off the show. Criminal Minds third season started off with Gideon alone in a cabin writing a letter to the one he knew would go looking for him - he is talking about the death of his friend Sarah and the case they worked on immediately after. That case, of course, is the killings of several women at a small college (which was held over from last season). As the flashback unfolds, Gideon sees his murdered friend in the crowd, watching him. The episode was entitled “Doubt,” and that is exactly what Gideon feels. He isn’t sure of himself anymore, in both his personal and professional life. As he writes the letter, he discusses this, as well as the horrors that he can no longer live with. At the end, he is holding a gun.

one female, who is said to have possibly life-threatening injuries, and one male, who is in stable condition. Thankfully, there were no more injuries and no fatalities.