“Identity”
Thursday, November 8th, 2007
Last night marked Joe Mantegna’s second episode with Criminal Minds. A funny part of the episode had Emily, Spencer, and Morgan looking through his office and profiling him. Of course he walks in. Emily and Spencer were properly embarrassed, but Morgan just looked annoyed. He is not accepting of David Rossi at all.
So the action of the episode revolved around a former militia member in Colorado, Francis Goehring. He was being pursued by the police when he blew himself up, taking a police officer with him. He’d kidnapped four women, the fourth only a half hour or so before he killed himself. Goehring’s ex-wife leads them to her parent’s land, where the women’s bodies were found. Rossi discovers that the last woman had been killed only a short time ago, and couldn’t have been killed by Goehring.

As they search for his partner, they find several clues as to his personality. He is a submissive partner, he tried to please Francis Goehring, and he was also in love with him. His identity was so wrapped up in Francis that when he killed himself, he took on Goehring’s personality - or tried to. The partner, Henry, kidnaps a woman from a gas station and is preparing to kill her. The team and sheriff find the location (Spencer had been working on a geographical profile all episode). A sniper is the only way that they’ll be able to save the woman. The best sniper they have is not even a cop. He’s the leader of the local militia, which Morgan objects to strongly (because they had a little run in at this guy’s bar). Anyway, the sniper kills Henry, and the woman is saved.
There’s a lot of back story that played into the events also. Brought up numerous times was Ruby Ridge and the surprise that Montana authorities actually asked for the FBI’s help. I thought it was interesting how the show brought up actual events, and especially events in which the FBI is shown in a poor light. It comes out that Rossi was at Ruby Ridge -and doesn’t want to talk about it.
At the tail end of the episode, Morgan and Rossi are talking and Morgan asks him why he came back, which he’d been suspicious of for a while. Rossi just said “Unfinished business,” and walked away.

This scene bothered me a bit, and I’ve been trying to find a word that fit it since last night. The best I can come up with is cheesy. Or maybe melodramatic. We get that Rossi has unfinished business and is tortured by some case that was unresolved. I think it doesn’t really need to be said anymore - we know. It’s much more dramatic and mysterious if very little is said about it, but it comes up very frequently. I don’t know if anything needed to be said at all - a former FBI agent has a lucrative career as a writer and lecturer and he gives it up to come back as a subordinate in the BAU. Last week, he kept touching the bracelet with the children’s names. We get it. We don’t need anymore hints that he has a troubling secret.
That was just one part that I thought could’ve been better, but otherwise, I liked the episode. It was dramatic, and I liked the local characters. When Henry is kidnapping the last woman in front of a gas station, the woman who was working there ran inside when she saw what was happening. I assumed that she went to call 911, but she came out with a shotgun. I also liked how they were able to get the militia to help them. Militia hate the FBI, the government. Rossi told them it wasn’t about them, it was about this woman from their community who was missing and in danger. This made the militia members seem human, which is not always done on tv or movies. They’re caring people, they just don’t care for the government.
Next week’s episode is going to be a good one - this one features Penelope. It’ll be good to have her get her own show!



Hotch and Prentiss go to talk to the foster mother who raised these two killers. As she talks with them, a young boy comes into the kitchen. He finds the refridgerator locked and asks for some milk. She will not give it to him - she wears the key around her neck.
“Children of the Dark” did not focus much on the characters’ lives - at one point Emily tells Hotch that she will take the teenager home with her. Hotch tells her he needs her to be objective, and she tells him that she needs to be human. On the plane home, JJ tells Emily that she would be a good mother. At the same time, Hotch is on the phone, asking someone to wake his son up so he can hear his voice. I’m assuming this is Haley, but they never said a word about her in this episode, so I don’t know what’s going on with that situation.
Paget Brewster seems so FBI-ish on Criminal Minds that it’s surprising to me that she is also known for her comedic roles. She lent her voice to American Dad, she was on Friends and The Trouble with Normal.
PAGET: At first, I was like, “I’m not going to do it.” Then I talked about it on Conan and I was like, “God, I do kind of want to do it,” but I can’t do it. You know what I mean? I kind of wanted to, but I don’t know. It doesn’t seem fair. I think the re-touching would be great, and there is something kind of thrilling, dangerous and sexy, and cheesy about being naked in a magazine, but I do actually admire Playboy more than I do Maxim or FHM. When girls do that, all the power to them, have a great time, get all oiled up and put on some lingerie and get your picture taken. But I think if you’re going to do it, really do it. Go to the all-American institution and really damn well do it. But the manager, the agents, the lawyers, they were all, “You can’t do it,” and my mom and dad would have been upset. Even though I talked to them about it and they said, “You know what, if you really want to do it, that’s okay,” but I knew that it would upset them and make them uncomfortable. My parents are so great and I owe them my existence, so I couldn’t do it, but I was really tempted by it. It really is flattering. I’m 37. It’s pretty good. I feel like I’m looking pretty good. I kind of felt like, “I should take pictures of it now. It’s not going to look good in five years.”
Last night, “Scared to Death” aired on CBS. This was Criminal Minds first Mandy-free episode, though his character was mentioned several times. When the show opens, Spencer is sitting at his desk rereading his letter. They quickly move on to other matters - a serial killer in Portland, Oregon. The team travels there to investigate and eventually figure out that the deaths had to do with phobias. From there, they need to figure out who is responsible. Through a lucky spotting of a flier in a laundromat, they are led to Dr. Howard (aka Dr. Goodman), in time to save his latest victim from being buried alive.
What was interesting, though, was their response to Gideon leaving. Spencer is clearly upset. He talks to Emily at one point and says that Gideon confronted the most violent, dangerous criminals in the world. If he had enough courage to do that, why did he just leave a letter? Emily tells him to read it again and figure out why the letter was written to him. Out of all the people he left behind, why did he only bother to explain to Spencer?
Hotch is gone, Prentiss is gone, Gideon is gone. The team goes to Milwaukee. Hotch comes back. Prentiss comes back. They arrest the serial killer using his son as bait. Gideon’s still gone. And Haley’s gone. Just a quick recap for “In Name and Blood.” This episode wrapped up some loose ends from last week and also gave us some new loose ends. Hotch and Prentiss are back with the team. Section Chief Erin Strauss travels with the team to Milwaukee to work the case. While there, she actually sees what the BAU does. She can’t do it. She insults the local detective, takes control when she shouldn’t, and then finally, breaks down at a crime scene when she steps on a victim’s hair. Having seen the reality of their job, she relents. Hotch is back but cannot move up in the chain of command. This is a big deal as he wanted to become FBI director.
Spencer worries about Gideon and finally goes to check on him at his cabin hide-away. Inside, he finds empty shelves and a gun, badge, and letter on Gideon’s desk. He tries to explain to Spencer why he’s leaving - not committing suicide as was implied last week. At the end, we see him traveling alone, trying to find hope again.
So that’s how they’re going to write Gideon off the show. Criminal Minds third season started off with Gideon alone in a cabin writing a letter to the one he knew would go looking for him - he is talking about the death of his friend Sarah and the case they worked on immediately after. That case, of course, is the killings of several women at a small college (which was held over from last season). As the flashback unfolds, Gideon sees his murdered friend in the crowd, watching him. The episode was entitled “Doubt,” and that is exactly what Gideon feels. He isn’t sure of himself anymore, in both his personal and professional life. As he writes the letter, he discusses this, as well as the horrors that he can no longer live with. At the end, he is holding a gun.
She says the BAU team has a “grudging” acceptance of her character, Prentiss. I like her on Criminal Minds because she kind of seems like the outsider for awhile and then just works her way in. Maybe the same will be true of Mandy Patinkin’s replacement, Joe Mantegna.
In 1973, only 24 out of 8,767 FBI agents were women. In 2007 there are 30,646 agents, 13,692 of whom are women. The percentage is smaller in the BAU, but on Criminal Minds, women are well represented by Emily Prentiss (Paget Brewster), JJ (AJ Cook), and Penelope Garcia (Kirsten Vangsness). These agents each bring unique skills to the team, without which they wouldn’t be as successful.
I haven’t been able to stop thinking about the season finale of Criminal Minds ever since it aired. What do they have in store for Emily Prentiss and Aaron Hotchner? It’s funny, you would think that a heart-stopping finale would include someone’s life hanging in the balance but apparently wondering what will happen to Hotch’s position can keep you up at night too (or maybe I just take my TV too seriously, that’s possible too).