Willing Suspension of Disbelief
Monday, October 29th, 2007
Sydney Morning Herald writer Gordon Farrer wrote a review of Criminal Minds in Sunday morning’s edition. His complaint with the show:
“Sometimes Criminal Minds asks too much of its audience.”
Mr. Farrer is not a disbeliever in criminal profiling, though.
Catching murderers through psychological profiling might look like modern criminological magic to the amateur but Sherlock Holmes was a master of that science more than a century ago.
His problem is the cast. He mentions two in particular that stretched audience’s imaginations to the breaking point. One, Thomas Gibson as Agent Aaron Hotchner. He can’t get past seeing Gibson as Greg on Dharma and Greg.
I see straitlaced Greg from the sitcom Dharma and Greg, and worry that his dippy hippie wife (Jenna Elfman) will burst in and bugger up a crime scene with her madcap Lucille Ball act.
Another character he takes exception with is now-gone Agent Gideon, played by Mandy Patinkin. His past characters also get in the way of the enjoyment of the show. He sees Inigo Montoya and Dr. Jeffrey Geiger instead of the BAU profiler.
Also mentioned is James Van Der Beek. How can sweet little Dawson have multiple personalities, kill innocent people, post the murder videos on the net, and torture a sweet little FBI agent? Farrer writes, “He [Van Der Beek] hasn’t been getting a lot of TV work since the series was canned, true, but surely that’s an overreaction.”
I thought this article was kind of funny - I liked that Gordon Farrer wrote what he thought and didn’t sugarcoat anything. Also, he brings up a point for which Criminal Minds is often criticized: the believability of the characters.
Spencer Reid, played by Matthew Gray Gubler, is one of those imagination-stretching characters. In an interview with Matt Romanada of Primetime Pulse, Matthew had this to say:

During the pilot…Chris [FBI agent and consultant] was there and I went to ask him something about what would my character do in real life. He looks at me and says, “There is nothing realistic about your character! You would never make it in the FBI. You would get made fun of. You would never exist. Heck, you couldn’t pass your gun test.”
He’s also way too young to have made it into the BAU. But, as Matthew said in that same interview, knowing his character wasn’t strictly realistic “gave me this freedom to do what I want.”
I think shows like Criminal Minds should be realistic enough to feel true and believeable and fantastic enough to be entertaining. Criminal Minds is a good blend.

Hotch is gone, Prentiss is gone, Gideon is gone. The team goes to Milwaukee. Hotch comes back. Prentiss comes back. They arrest the serial killer using his son as bait. Gideon’s still gone. And Haley’s gone. Just a quick recap for “In Name and Blood.” This episode wrapped up some loose ends from last week and also gave us some new loose ends. Hotch and Prentiss are back with the team. Section Chief Erin Strauss travels with the team to Milwaukee to work the case. While there, she actually sees what the BAU does. She can’t do it. She insults the local detective, takes control when she shouldn’t, and then finally, breaks down at a crime scene when she steps on a victim’s hair. Having seen the reality of their job, she relents. Hotch is back but cannot move up in the chain of command. This is a big deal as he wanted to become FBI director.
Spencer worries about Gideon and finally goes to check on him at his cabin hide-away. Inside, he finds empty shelves and a gun, badge, and letter on Gideon’s desk. He tries to explain to Spencer why he’s leaving - not committing suicide as was implied last week. At the end, we see him traveling alone, trying to find hope again.
So that’s how they’re going to write Gideon off the show. Criminal Minds third season started off with Gideon alone in a cabin writing a letter to the one he knew would go looking for him - he is talking about the death of his friend Sarah and the case they worked on immediately after. That case, of course, is the killings of several women at a small college (which was held over from last season). As the flashback unfolds, Gideon sees his murdered friend in the crowd, watching him. The episode was entitled “Doubt,” and that is exactly what Gideon feels. He isn’t sure of himself anymore, in both his personal and professional life. As he writes the letter, he discusses this, as well as the horrors that he can no longer live with. At the end, he is holding a gun.



